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"Rapids" on the San Antonio River
 
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Image Title:  "Rapids" on the San Antonio River
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Favorites: 0 
 By: Christopher Chen  
  Copyright ©2001

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Photographer  Christopher Chen {Karma:21}
Project N/A Camera Model Zeiss Ikon Contax IIa (c.1953)
Categories Film Format
Portfolio Lens f/2 50mm Carl Zeiss Jena Sonnar (c.1937)
Uploaded 4/7/2001 Film / Memory Type Kodak TMAX 100
    ISO / Film Speed 0
Views 492 Shutter 1 second
Favorites Aperture f/2
Critiques 7 Rating Critique Only Image
Location City - 
State - 
Country -   
About Taken a short walk away from the bustling "festival marketplace" atmosphere of the Riverwalk in San Antonio. A small heron-like bird was perched a few feet away. The camera was placed on a convenient rock with an Ultrapod mini-tripod. It was so dark I could barely see anything through the viewfinder; otherwise I would have tilted down a bit to show more of the water.
Random Pictures By:
Christopher
Chen


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There are 7 Comments in 1 Pages
  1
Christopher Chen   {K:21} 5/16/2001
David:
Although there was a full, or near-full, moon out (mid-Sept. 2000), the main source of light was artificial (streetlamps, building windows, etc.). Also, now that I look back on my records, the lens I used for this picture *is* single-coated (it 's not 1 of the rare factory-coated Sonnars from that period, but was given an after-market coating by Zeiss or a specialist shop, probably sometime in the '40s or '50s). Nevertheless, I agree that vintage lenses do produce a certain "retro" tonality that I like (which is the main reason I use them more than their new equivalents).

  0


David Goldfarb   {K:7611} 5/15/2001
That's probably right. Most labs that don't specialize in B&W exclusively use T-Max or T-Max RS for T-Max films. What was the main light source, the moon or a streetlamp?

I like the effect of the old lenses like this one. I just picked up a Zeiss Biotar 58/2.0 T in M42 mount for use with my Canon manual focus system, and I've adapted a Kodak Ektar 100/3.5 from the Kodak Medalist for the same system. They both have great tonality and just a bit of spherical abberation to give that luminous quality to the highlights when it's wanted.

  0


Christopher Chen   {K:21} 5/15/2001
David:
Thanks for your comment. In my experience, TMAX 100 has given me a smooth non-grainy look which works particularly well w/this kind of subject matter, but you're right, it could be the light & uncoated lens. Unfortunately for your question, I didn't develop these negatives myself, it was a local pro lab (Chrome). I think they use TMAX developer w/the TMAX line of films. Sorry I can't be more helpful--if I have a chance, I'll ask the lab guys.
Chris

  0


David Goldfarb   {K:7611} 5/15/2001
That's a really interesting tonality to have gotten out of TMX. It's probably mainly the light, but what developer do you use?

  0


Christopher Chen   {K:21} 4/9/2001
John & Al:
Thanks for the comments. This is 1 of my few shots that I've had a chance to print in a darkroom a few times. John--the 3D effect is even more pronounced on paper! Al--I actually made an 8x8 print of this & while other people like it (I gave it to a friend), I prefer the uncropped view. For some reason, I feel that the top black 1/3rd balances out the lower 2/3rds with the water.

  0


al shaikh   {K:15790} 4/8/2001
Christopher,

This is a really great image waiting to come out, crop off most of the black at the top and you will have a killer shot. Turn it into a square and you are set!

  0


John Autry   {K:2} 4/7/2001
I like this pic alot! It looks almost like you embosed it..There are only a few shades of gray and black,other than that its great..Keep it up

  0


  1

 

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