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Dark Path
 
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Image Title:  Dark Path
  0
Favorites: 0 
 By: John A Scott  
  Copyright ©2002

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Photographer John A Scott  John A Scott {Karma:623}
Project #12 Dramatic B&W Shadows Camera Model Pentax MZ-50 / ZX-50
Categories Landscape
Film Format
Portfolio Black and White
Lens Pentax  SMC F 35 - 80mm ï4,0 - 5,6
Uploaded 10/14/2002 Film / Memory Type Kodak  T-Max
    ISO / Film Speed 400
Views 831 Shutter
Favorites Aperture f/
Critiques 3 Rating
Pending
/ 0 Ratings
Location City -  Sudbury
State -  ONT
Country - Canada   Canada
About Just a path through the woods in a local park
Random Pictures By:
John A
Scott


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There are 3 Comments in 1 Pages
  1
John A Scott John A Scott   {K:623} 10/14/2002
Thank you for your help and the time you took to review the pic

  0


Jeff Cable   {K:3599} 10/14/2002
Hi John. I noticed this picture and wondered if i could usefully make some comments that I believe are constructive. You are, of course, free to ignore anything I say. 8>

This type of picture can be very dramatic and you have picked a subject with extremely difficult lighting. The very harsh sunlight and the very dark shadows create a problem for film to register everything you saw with the same fidelity.

My first comment concerns the scan which appears to have artifacts created by compression into .jpg format. I have uploaded a different version of the file with a red ring drawn around one of the artifacts for you.

I have also cropped the picture to lose the very large area of competing highlight which tends to draw the eye away from your subject matter (the path).

Despite the fact that the lighting was difficult, with normal exposure the film should have been able to record a full range of tones from black to white. i think your picture appears to from zone i to x (see grayscale on the bottom of the usefilm page). I have changed the tonal values slightly in my version, to give you an example of what I mean.

The other marks on the version I have uploaded show the path (your subject) and an arrow which indicates the direction you could have moved to get more of the path in view. (it is obscured partly by a tree. Getting detail into shadows can be done in several ways but here it looks as if the metering was influenced by the very bright area that I removed in my version. Metering close to a tree from the tree would have given you far more shadow detail. The path would have moved towards a lighter zone but could have been controlled a bit at the printing stage. Just opening the aperture from your metered reading by one or two stops would have provided a little more shadow detail.

Keep shooting because you have an eye for a picture.

Cheers!
Jeff

  0



Jeff Cable   {K:3599} 10/14/2002
Hi John. I noticed this picture and wondered if i could usefully make some comments that I believe are constructive. You are, of course, free to ignore anything I say. 8>

This type of picture can be very dramatic and you have picked a subject with extremely difficult lighting. The very harsh sunlight and the very dark shadows create a problem for film to register everything you saw with the same fidelity.

My first comment concerns the scan which appears to have artifacts created by compression into .jpg format. I have uploaded a different version of the file with a red ring drawn around one of the artifacts for you.

I have also cropped the picture to lose the very large area of competing highlight which tends to draw the eye away from your subject matter (the path).

Despite the fact that the lighting was difficult, with normal exposure the film should have been able to record a full range of tones from black to white. i think your picture appears to from zone i to x (see grayscale on the bottom of the usefilm page). I have changed the tonal values slightly in my version, to give you an example of what I mean.

The other marks on the version I have uploaded show the path (your subject) and an arrow which indicates the direction you could have moved to get more of the path in view. (it is obscured partly by a tree. Getting detail into shadows can be done in several ways but here it looks as if the metering was influenced by the very bright area that I removed in my version. Metering close to a tree from the tree would have given you far more shadow detail. The path would have moved towards a lighter zone but could have been controlled a bit at the printing stage. Just opening the aperture from your metered reading by one or two stops would have provided a little more shadow detail.

Keep shooting because you have an eye for a picture.

Cheers!
Jeff

  0



  1

 

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