|
Nick Karagiaouroglou
{K:127263} 4/13/2009
|
We all do, I guess.
Cheers!
Nick
|
|
|
Marcio Janousek
{K:32538} 4/11/2009
|
Sure .. I'm learning , thank you.
|
|
|
Nick Karagiaouroglou
{K:127263} 4/11/2009
|
"... almost like a rule ..."
I am also afraid that this "rule" has stealthily invaded photography, Marcio. I had a good talk about that with Andre Denis here in UF. It seems that we are all prone to that.
Anyway, awareness will always help, as you say.
Cheers!
Nick
|
|
|
Marcio Janousek
{K:32538} 4/9/2009
|
Yes Nick, I have forced to sharpen ... almost like a rule ... I will be aware of this error, thanks to tip.
|
|
|
Nick Karagiaouroglou
{K:127263} 4/9/2009
|
Adjust sharpness was too much. Avoid that next time, Marcio. A pity to introduce problems that didn't exist on the original.
Cheers!
Nick
|
|
|
Nick Karagiaouroglou
{K:127263} 4/9/2009
|
Well... that's why I will always say, the less tweaks an image needs, the better it is.
All that overload of afterward "enhancement" is only causing problems that nobody needs. Better stick to camera/lens as lons as mathematics don't find better algorithms.
Cheers!
Nick
|
|
|
Marcio Janousek
{K:32538} 4/8/2009
|
Shoot in RAW and adjust sharp, contrast and color mode in the Nikon's NX...only
|

|
|
|
Marcio Janousek
{K:32538} 4/8/2009
|
"There is only some pixelation on the rails that is quite visible. Hiw did that happen?"
Thank you Nick .. I believe that was an adjustment of contrast and tones in the program for editing. I will check the original and then attached it here latter. Cheers..
|
|
|
Ania Zielińska-Hoşaf
{K:61374} 4/8/2009
|
Very nice perspective; good work!
Best wishes, Ania
|
|
|
Nick Karagiaouroglou
{K:127263} 4/8/2009
|
Very well done in all disciplines, Marcio! Strong perspective as it has to be for this subject of trains and railways. The distance is quite feelable here, for which I think that also the endless DoF helped very much. The best possible details from here to the end of the sight, that is. There is only some pixelation on the rails that is quite visible. Hiw did that happen?
The exposire balance was also very good since it allowed the whole range of dynamics to evolve quite strongly. Form highlights to shadows, everything is available in the very good tonal range. The color palette is another plus in those earthy industrial colors. It adds much to the whole atmosphere and it works well with the light of the scene.
Cheers!
Nick
|
|
|
Ian McIntosh
{K:42997} 4/8/2009
|
yeah great terraced curve fine geometry here
|
|
|
Pablo Dylan
{K:63918} 4/8/2009
|
Excellent point of view nice also the post.
|
|
|
Luca Peccerillo
{K:17660} 4/8/2009
|
Very a beautiful composition attractive soft colors Be well
|
|
|
Malules Fernandez
{K:54810} 4/8/2009
|
nice work, Marcio. regards, Malules
|
|