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paul shelasky
{K:1211} 12/7/2003
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No tricks here Mark. There was a spotlight above the bikes shining on the wall to create this effect. Thanks for commenting.
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Mark Beltran
{K:32612} 12/7/2003
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This is an unusual lighting situation. Light painting, maybe? I like the hard graphic feel.
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Fernando Macedo
{K:4008} 11/10/2003
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Beauty! Congrats, thanks for comment to me, regards Fernando.
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Marie Billing
{K:1620} 11/9/2003
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I love the arc of light here but I think I would crop a little from the left to tighten the composition. thank you for your comment on Dunes. I do take B+W.. Fp4, Hp5 and Kodak Infra red but on this occasion the scan of the colour side messed up the colours and it wouldn't correct to my satisfaction so as I thought it would make a good monochrome I changed it. Regards Marie
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sandy c. hopkins
{K:17107} 10/28/2003
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fantastic image...well done paul..
it is just right..
:)
sandy
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Marzia Carrada
{K:3225} 10/27/2003
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Very nice and interesting image!
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Paco Ferrer
{K:8586} 10/26/2003
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Superb Job, the composition is ideal!!!
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Jan Symank
{K:22030} 10/26/2003
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Interesting graphic structure well composed.
Regards from Jan
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paul shelasky
{K:1211} 10/26/2003
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This looks a bit softer than the actual print.
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Igor Herzyk
{K:1937} 10/26/2003
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I like this shadow on the wall. Atmosphere is there. It's quite soft, No tripod?
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m.c. lopez
{K:14766} 10/26/2003
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i like this very much ! great mood !
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Peter Skjold Petersen
{K:971} 10/26/2003
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simple but very good I like it
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paul shelasky
{K:1211} 10/26/2003
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Stefan, I considered that, but I did not because to me it adds to the feeling of being alone. You see the bikes here and even around the corner no one seems to be around. I guess its sort of how i felt when taking the photo that infuenced this crop.
I could see your point from a purely strict compositional sense, but that doesnt always rule my choices for cropping.
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Stefan Larsson
{K:150} 10/26/2003
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To me, a very emotional image of loneliness and late night.
I really would crop out the right end (where the wall ends), but it's all a matter of taste.
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