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Nick Karagiaouroglou
{K:127263} 2/8/2009
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Indeed, Saad, Aziz posed a much more "sepia-like" version, which looks also "aged" to me. A very interesting way for this.
Thanks a lot also for the info on the making, but I unfortunately didn't understand all of it. Anyway, the pixelation is almost invidibly little and only on sime few places.
And anyway again, saving for the Web should be the very last step of your whole process. First everything else, then saving. There is no need for such a repeated overload of saving, resizing, re-saving etc. Just work out your image, then scale it using the "Image" menu of PS, then save it as a JPEG using the normal "Save".
Cheers!
Nick
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Saad Salem
{K:89003} 2/8/2009
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thank you my friend Malules,have a best time,regards,
Saad.
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Malules Fernandez
{K:54810} 2/7/2009
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Great abstracts, dear Saad.
regards,
Malules
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Saad Salem
{K:89003} 2/7/2009
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thank you so much Nick,the difference is very clear this time,and for an other taste,
just to inform you ,my friend Aziz,like it darker.
as for pixelation,the line is fixed,and the speed returned to normal,so I have stopped doing save for web in PS CS4,returned to my previous resizing ACDsee 2.5 Pro.thank you again ,
Cheers,
Saad.
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Nick Karagiaouroglou
{K:127263} 2/7/2009
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Nice tonal range in a restricted sepia-like color palette, a good composition and such a well fitting object for that, Saad! The good details are well visible everywhere as also a strong light which could be either natural or artificial, but which nevertheless suggests that "we are standing under sunlight". Perhaps a bit less exposure for some more details on the bottom, where the light seems to be so strong, while at the same time I must wonder if this would still bring such fresh colors of the bright kind of wood that was used. I add an attachment where I burned the bottom a a bit and slightly raised saturation, and it already starts loosing the "freshness".
The composition is geometrically well done both considering the plane of the image itself as also the imaginary depth that is suggests by its perspective. Ans as a sidenote here, the pixelation is almost absolutely no more present.
Good work!
Nick
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Burned a bit the bottom and slightly saturated it |
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Saad Salem
{K:89003} 2/7/2009
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thank you dear Ania,regards,
Saad.
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Ania Zielińska-Hoşaf
{K:61374} 2/6/2009
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Very fine, geometric work. So nice!
My best,
Ania
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Saad Salem
{K:89003} 2/6/2009
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well Aziz,this is far darker,and you have all the right to prefer it the way you like,you may be so right,it is darker under any umbrella than outside,my regards,
Saad.
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aZiZ aBc
{K:28345} 2/6/2009
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Something like the attached file
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Darker and re-composed |
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aZiZ aBc
{K:28345} 2/6/2009
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I meant darker colors .
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Saad Salem
{K:89003} 2/6/2009
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thank you dear Aziz,I know you prefer that,and I am like Mahmoud,some times prefer the colored mode,though I think of gray mode,in a completely different way than I did before,my best wishes.
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aZiZ aBc
{K:28345} 2/6/2009
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beautiful shot , .. I prefer darker mode ..
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Saad Salem
{K:89003} 2/6/2009
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thank you very much,my best wishes and regards,
Saad.
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Rasna 69
{K:8916} 2/6/2009
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ottimo astratto e anche molto umoristico! Ciao!
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Saad Salem
{K:89003} 2/5/2009
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thank you dear Luca,I am happy you liked the photo,my best wishes,
Saad.
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Saad Salem
{K:89003} 2/5/2009
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thank you my friend Arian,and your eyes are as good as mine ,and even better,thank you and have my best wishes,
Saad.
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Saad Salem
{K:89003} 2/5/2009
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thank you so much Riny,my best wishes and regards,
Saad.
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Luca Peccerillo
{K:17660} 2/5/2009
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Fine my friend...very fine
i like your minimalistic shot
Take care
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arian berisha
{K:13697} 2/5/2009
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very powerful creative geometric work,,,you have very sharp eye my friend,,,7+++++++
regards,,,
Arian,,,
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Riny Koopman
{K:102911} 2/5/2009
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A very good presentation of concentricity,well seen sir,riny
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