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margaret waters
{K:432} 4/14/2010
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I love this shot Jim and thank you for your kind comment earlier Maggs
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Randy Libner
{K:4084} 7/2/2009
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I like this photo a lot. Looks like it would be quite striking with a wide double white mat set in a satin black frame to set it all off. If it were possible financially, I think a workshop at Yellowstone would be a lot of fun and educational too. I don't shoot digital, but I love the advantage you have of having a true record of the camera settings. Older I get, the more I forget. ;)
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Noemi Jurado
{K:8849} 10/3/2008
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Perfect postcard material Jim! Great work!
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Lars Dahlin
{K:610} 5/24/2008
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Hi Jim!
Again! I think it can't get any better. It's like an ink drawing. Excellent!
Regards! /Lars
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Del Metheny
{K:25617} 5/21/2008
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I like the almost mysterious feeling this photo creates with the background fading into mist. Del.
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Nick Karagiaouroglou
{K:127263} 4/23/2008
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And it was ansolutely not necessary to convert this to B&W, Jim! It is as B&W as it takes right "out of the box"! And all the sharp details and good contrasts of contours of the main subject against the bacjground do define the tree in a vast, infinite white space. The additional background greys on the right contradict somewhat the generally strong idea and capture of the solitary view. Perhaps a capture from a differnt point couls eliminate them? (Which I also know is not always possible.)
A very good approach for a pure view of the subject and only the subject.
Nick
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Hussam AL_ Khoder
{K:79545} 4/22/2008
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☆´¨) . ¸.•´ ¸.•*´¨) ☆.(¯`•.•´¯) (.¸.•´ (¸.•` ☆ ¤º.`•.¸.•´ ☆Great Picture! ¸.•*¨)☆™☆
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Stan Ciszek
{K:56854} 4/22/2008
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Outstandind capture Jim. Regards, Stan.
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![](http://thumbs.imageopolis.com/CritiqueImages/2/9/1/9/5/29195/7474009-TN.jpg)
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