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N0 166
 
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 By: Branimir Fagarazzi  
  Copyright ©2007

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Photographer Branimir Fagarazzi  Branimir Fagarazzi {Karma:38367}
Project #50 Alternate Perspective Camera Model CAMERA OBSCURA
Categories Alternative Process
Film Format
Portfolio Lens pinhole
Uploaded 6/23/2007 Film / Memory Type Fuji sensia 100
    ISO / Film Speed
Views 354 Shutter 30s
Favorites Aperture f/128
Critiques 10 Rating
Pending
/ 0 Ratings
Location City -  Omiš
State -  DALMATIA
Country - Croatia   Croatia
About
Random Pictures By:
Branimir
Fagarazzi


N0 232

Peace

Fisherman ship

The Iron face

No 48

The life is something between..

Still life

N0 227

N0 332

N0 194

There are 10 Comments in 1 Pages
  1
Simone Tagliaferri Simone Tagliaferri   {K:28180} 6/28/2007
Bella e originale. Ottimo uso del fuori fuoco.

  0


Dirk Noort Dirk Noort   {K:9683} 6/26/2007
Amazing!, great photographer and very passionate!
Dirk

  0


Dubravko Grakalic   {K:25235} 6/24/2007
dobra, dobra... dobar fotic :-)

  0


Branimir Fagarazzi Branimir Fagarazzi   {K:38367} 6/23/2007
I told you.Try to make one and made photo.All new experience

  0


Pablo Dylan Pablo Dylan   {K:63918} 6/23/2007
Fantastic!!!!

Pablo

  0


Branimir Fagarazzi Branimir Fagarazzi   {K:38367} 6/23/2007
This is my designe

  0



Branimir Fagarazzi Branimir Fagarazzi   {K:38367} 6/23/2007
Thanks my friend for suport

  0



Pablo Dylan Pablo Dylan   {K:63918} 6/23/2007
For Undestand.

  0



Pablo Dylan Pablo Dylan   {K:63918} 6/23/2007
Excellent study from you my friend.

Pablo

  0


Pablo Dylan Pablo Dylan   {K:63918} 6/23/2007
Camera obscura
From Wikipedia, the free encyclopedia
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This article is about a photographic device. For other uses, see Camera obscura (disambiguation).

The camera obscura (Lat. dark chamber) was an optical device used in drawing, and one of the ancestral threads leading to the invention of photography. In English, today's photographic devices are still known as "cameras".

The principle of the camera obscura can be demonstrated with a rudimentary type, just a box (which may be room-size) with a hole in one side, (see pinhole camera for construction details). Light from only one part of a scene will pass through the hole and strike a specific part of the back wall. The projection is made on paper on which an artist can then copy the image. The advantage of this technique is that the perspective is right, thus greatly increasing the realism of the image (correct perspective in drawing can also be achieved by looking through a wire mesh and copying the view onto a canvas with a corresponding grid on it).

With this simple do-it-yourself apparatus, the image is always upside-down. By using mirrors, as in the 18th century overhead version illustrated in the Discovery and Origins section, it is also possible to project a right-side-up image. Another more portable type, is a box with an angled mirror projecting onto tracing paper placed on the glass top, the image upright as viewed from the back.

As a pinhole is made smaller, the image gets sharper, but the light-sensitivity decreases. With too small a pinhole the sharpness again becomes worse due to diffraction. Practical camerae obscurae use a lens rather than a pinhole because it allows a larger aperture, giving a usable brightness while maintaining focus.


A freestanding room-sized camera obscura used by the art department at the University of North Carolina at Chapel Hill. One of the pinholes can be seen in the panel to the left of the door.Some camera obscura have been built as tourist attractions, often taking the form of a large chamber within a high building that can be darkened so that a 'live' panorama of the world outside is projected onto a horizontal surface through a rotating lens. Although few now survive, examples can be found in Grahamstown in South Africa, the Observatory in Bristol, Portslade village and Eastbourne Pier in England, Kentwell Hall, Long Melford, Suffolk, England, Aberystwyth and Portmeirion in Wales, Kirriemuir, Dumfries and Edinbur

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