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harbour cone
 
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Image Title:  harbour cone
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Favorites: 1 
 By: Ian McIntosh  
  Copyright ©2007

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Photographer Ian McIntosh  Ian McIntosh {Karma:42997}
Project N/A Camera Model slarti
Categories Landscape
Film Format
Portfolio drive by shooting
Lens smc 18-4mm f3.5
Uploaded 5/9/2007 Film / Memory Type automatic
    ISO / Film Speed
Views 506 Shutter 1/60
Favorites Aperture f/32
Critiques 17 Rating
Pending
/ 0 Ratings
Location City - 
State - 
Country - New Zealand   New Zealand
About Mental note to attempt some further emulation of the book cover below of the Maunsell Sea Forts.
Random Pictures By:
Ian
McIntosh


The year and what remains

Spelling with sea slime.

cataclysm

I shake my rattle at fate.

taking the waters

unpublished

05/06/2005 p.c.

New Zealouts

kit

variations on a shadow on the floor of the municipal chambers

There are 17 Comments in 1 Pages
  1
James Cook James Cook   {K:38068} 5/11/2007
We shall see what the future holds.

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/11/2007
Got that james. Yup. Similar allright. Forgot to add my own staid tripod bound moonlit pseudo luxo. http://www.usefilm.com/Image.asp?ID=1086715
My reply to an earlier reply crossed your reply as I organised it. We must both be awake but I'm logging off for a while now see ya!

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/11/2007
This is my more staid and tripod bound thing that fits what I think is exciting about your luxography. Blurred impressionistic ponds have been done and aint revolutionary but still nice. With an old manual lens I could change both aperture and focus in this shot as well as waving the camera round.
I went to dance lessons once, no twice, and no one could tell me what to do with my feet unfortunately. Similarly I found your short manefesto a little hard to work through. I'd add to it a brief non technical statement of what it is. perhaps a better musical metaphor than dubbing would be in camera mixing. Or even in camera photoshopping and EVERYONE would know, but aint it unfair that photoshop tm has claimed ownership of what freeware gimp, for example can do.
Here was the t-shirt I was thinkin of.

  0



James Cook James Cook   {K:38068} 5/11/2007
You have it exactly correct in saying that the in-camera aspect is the primary element upon which luxagraphy hinges. I now make a very big point of emphasizing that for each such photograph I post (and also calling them photographs and not images). Maybe Cameraside Luxagraphia or some such.

I have enjoyed Jude's motion work, especially with TV captures. Very different from the results I was getting using CRT light sources. Here is one example:

http://www.usefilm.com/Image.asp?ID=1130761

One of the exciting aspects about luxagraphia is that I am able to achieve results that are highly similar to what PS folks can do (after much layering and blending and so forth)--all with a single shutter click.

I also agree with what you say about sampling. Very much in line.

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/11/2007
It may be as good a term as any but the word lux has some extra physical connotations.
You've seen Judes stuff here. It has similarities. What freaked me about her stuff was the blinking tv set strobes, it underlined the time aspect. photos of sculptures in the fourth dimension. Whatever narratives had been there on the telly were turned into changing textures on the skin of an alien or whatever.
What I can identify that I like is a similarity to cubism with the shifting perspective but also that it is photoshop layering crossed with modern dj-ing or old music concrete except one commits o taking ones samples from the moment. Nicks stuff lately is samples from his visit but is photoshop dependant to glue those layers together so it not so liberated.
I remember it took me a long time to use fully manual controls with my canon a80. I was entertaining a dog in my front yard, she was not a fussy client but I hesitated to be do it! What proportion of the planets digicams have never tried "M"?
There is so much to learn and cool images to be gained from both planned and spontaneous luxography. It may be just what people need to start to begn to sample their environment in-camera.
Your tai chi instructions are probably useful and give people a how without controlling their what. I can see how gaining those concepts can be useful to remember when waving ons arms around or flicking the wrist with ones cam... BUT Your images first, then your statement that it was all in camera seems the vital part.
What about "in-camera dub" as a slogan? Someone may get a gist of what your on about from that.

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/10/2007
May need a James cook t-shirt first.

  0


James Cook James Cook   {K:38068} 5/10/2007
Yeah, I made it up. Photography was already taken. Maybe it's not the best name, but it's what I came up with at the time. I've been doing this kind of work for, what?, twenty years. I came up with this name when I started posting on-line (a little more than a year ago).

Joing my movement!

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/10/2007
Is it YOURS James? I thought it was from some manefesto somewheres!

  0


James Cook James Cook   {K:38068} 5/10/2007
Roger - In my conversation with Nick I described the four possible camera motions which could be employed in luxagraphic shots (especially in combination). This is how I broke it down:

1. Parallax--motion along a single plane parallel to the plane of focus (that plane which defines the center of the DoF).

2. Rotation--spinning the camera on axis perpendicular to the photographic plate.

3. Zoom--using a zoom lens or simple moving the camera toward or away from the subject in line with the above mentioned perpendicular.

4. Pan--basically rotating the snout of the camera as though mounted to a tripod (for instance)

This linear motion would be paralactic (according to the above definition) assuming the car was travelling in a strait line. Perhaps not the best term so I'll keep working to think of another.

Ian - Here is the full discussion:

http://www.usefilm.com/image.asp?id=1292241

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/10/2007
Not averse to the process as I understand it with grudging interest, but the term, hmmm I feel weird about.
Maybe impressionists felt the same way about their tag.

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/10/2007
Interesting franchise this luxagraphic (tm).
I'm averse to it I mean. Still it might represent something that has developed as digital frees up the image, and any punk with a digicam can start to explore the long exposure without having to waste millions at the chemist to wait for the results.
I may google it one day.
Baha did a series of phots as a portrait today. That's the kind of thing I've thought could come into vogue with digital too. It was expensive before but now cheap as chips to do a zillion shots of a friend and then collect a few together.

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/10/2007
Thankyou for your eye Baha. I am enjoying your always always fresh way of presenting things. The shadow of the car window could have added some abrupt and dramatic context for this shot in hand with the soft rain drops if it had been bigger... the image may have been more interesting I think had I framed it black.

  0


Roger Skinner Roger Skinner   {K:81846} 5/10/2007
umm is Tosh bordering on luxagraphic shooting laterally rather than circularly?

  0


Roger Skinner Roger Skinner   {K:81846} 5/10/2007
extraordinairly beautiful stuff almost luxagraphic?

  0


James Cook James Cook   {K:38068} 5/9/2007
Cool. Good luck with the your idea.

  0


Mahmoud Baha Sadri Mahmoud Baha Sadri   {K:19634} 5/9/2007
a very nice abstract landscape, I especially like its top right hand corner...baha

  0


Ian McIntosh Ian McIntosh   {K:42997} 5/9/2007
See?
These are on the Thames Estuary. Cool huh? A radio station broadcast there for a period.

  0

Maunsell Sea Forts


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