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gullwing
 
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Image Title:  gullwing
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Favorites: 1 
 By: Mark Longo  
  Copyright ©2005

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Photographer Mark Longo  Mark Longo {Karma:12760}
Project #23 Objects Camera Model Canon EOS 350D
Categories Still Life
Transportation
Commercial
Film Format
Portfolio Man Made
Lens Cannon 18-55mm kit lense
Uploaded 7/23/2005 Film / Memory Type Lexar 1GB WA 80x
    ISO / Film Speed 0
Views 1207 Shutter
Favorites Aperture f/
Critiques 33 Rating
5.73
/ 11 Ratings
Location City - 
State - 
Country - United States   United States
About
Random Pictures By:
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There are 33 Comments in 1 Pages
  1
Umberto Fortini Umberto Fortini   {K:3309} 1/12/2006
Inquadratura molto accattivante anche se sembra un po' frettoloso il taglio in postproduzione dello sfondo attorno alle portiere alzate... imho
Complimenti, ottimo gioco delle luci.
Umberto

  0


György Szönyi György Szönyi   {K:10011} 10/15/2005
Wow, what a noble beast, very creatively represented! Cheers: Gyorgy

  0


Andre Denis Andre Denis   {K:66407} 10/15/2005
Hi Mark,
It is a really nice thing that they do every now and then. (featuring a comment)
I guess the best thing about it is a lot of people get a little look at the back pages of the portfolios, where they may not normally have time to browse. After all, our most current work is not always our best work.
I'm really enjoying the time I spend in this group.
Andre

  0


Jeanette Hägglund Jeanette Hägglund   {K:59855} 10/15/2005
Then i understand and you took me over to your side :))...good work i have to say
A dream, all men dreams about a nice car and also some woman - me!
Thanks for your lng explanation - i have to try it my self!!!

:))

Jeanette

  0


Mark Longo Mark Longo   {K:12760} 10/15/2005
Thanks for commenting Jeanette, I value your critique! I am definitely a fan of your excellent work!

You mention how the white and light parts "bleed out". I created that effect via PS as an experiment and I understand your doubts about the effect. I have some reservations about it too, though on balance I like the effect here. It does take the fine egdes off the image. I was going for a sort of dreamy feeling to the image, something I feel when around these beautiful old cars. I've posted the image below without the effect, as a basis for comparison.

For those interested, in Photoshop I created a 'lighten' layer and blurred it using the Gaussian blur and then erased the layer where I wanted fine detail to show through. The effect creates a sort of glow to the highlights and is most evident around the front bumper, though the effect is present in all the major highlights.

Mark

  0



Mark Longo Mark Longo   {K:12760} 10/15/2005
Yes, Andre, being involved in a featured critique is quite nice, with all the additional exposure I have for my images! Thanks for commenting!

I have had one of my comments featured also, and strangely it wasn't one of my more interesting comments. It was part of a larger exchange, as is the case today. I don't know the basis used in selecting a featured critique. But in any case, this is providing a chance for more of our images to be seen, so it is a great thing!! And your images seen on the front page are so beautiful! Don't you just love it here at Usefilm?

Mark

  0


Erik Neldner Erik Neldner   {K:10846} 10/15/2005
fabulous piece of work here...both the auto and your visual realization of it!

  0


Andre Denis Andre Denis   {K:66407} 10/15/2005
Hi Ian,
I was a great shot by Mark. I still don't really understand how the comment got to be considered a critique? It was more of an ongoing conversation. Anyway, the front page will give Mark and I some exposure, so I'm not complaining too loudly.
Andre

  0


José Vasconcelos Dias   {K:9341} 10/15/2005
This car is beautifull and its very well captured here! Congrats

  0


Estian Fourie   {K:38} 10/15/2005
Holly Moley thats hot, fantastic image, made me weak when i saw it. Can't get over how beautifully you captured the amazing design of this car and how its aura and essence is reflected it the image... grrrreat

  0


abhra aich   {K:8830} 10/15/2005
very good angle of shot, congrats, abhra.

  0


Jeanette Hägglund Jeanette Hägglund   {K:59855} 10/15/2005
Cool car you captured. I like your perspective, but i?m not so sure white and light parts, how they "bleed out"!!!!

Jeanette

  0


Ian McIntosh Ian McIntosh   {K:42997} 10/15/2005
Great shot Mark. Interesting chat Andre.

  0


Ina Nicolae Ina Nicolae   {K:44481} 10/15/2005
Hi Mark! Congratulations for the front page! What a superb shot! The lighting and the perspective are fantastic! Magazine quality! But all your pictures are! Well done! Ina

  0


Francesco  Francesco   {K:8101} 10/15/2005
Ciao Mark,

Congratulations!!!!!!!!!!!!!!!Bravo!

  0


Andre Denis Andre Denis   {K:66407} 10/13/2005
Imageopolis Featured Photo Critique Hi Mark,
That was a great time back in the late sixties and early seventies for sports car racing. Jim Hall not only drove the Chaparrals but he was a major designer for all but the 001 model.

Most of the shots you were looking at (birdcage maserati chaparral 001) are new images of old cars from the Lime Rock Vintage car festival on Sept. 3/05
They were not scanned from prints. Just uploaded from the digital xd card and worked on in Photoshop. There are some older scanned images that I took in the seventies of other race cars further back in the portfolio. some scanned from the original negative and some from prints.
Andre

  0


Mark Longo Mark Longo   {K:12760} 10/13/2005
Yes Andre, this was the Boston Museum of Fine Arts show. I am not a certifiable car buff, though I have always enjoyed and very much appreciated beautiful cars. And I must say that many of the cars in this exhibit were eye-popping, even to the unintiated such as myself. The '58 Ferrari 250 Testa Rossa in particular was very arresting with it's amazing shape. Unfortunatly I didn't get any shots of it worth posting as it was positioned oddly in the exhibit from a photo composition standpoint. My personal fave was the on pictured here, the '55 Mercedes-Benz 300SL Gullwing Coupe. Used to build plastic models of that car as a kid in the 60's. The McLaren was also a fave (though not really a gullwing I couldn't resist stealing that name for my image of the McLaren here).

Also took a peak at your portfolio and enjoyed a good many many of your classic photos. I especially loved the Chappral. I was a big race fan back when those cars ruled. Jim Hall was a major driver of them I think... I also liked the 'birdcage' shots. Anyway, thanks for the taking time to scan all those old images.

Cheers,
Mark

  0


Andre Denis Andre Denis   {K:66407} 10/12/2005
Mark,
Excellent shot of this Gullwing!
I just read your comment stating that you took this and some other classic car photos at the Ralph Laren collection. Was it the one in Boston this past summer?
I almost got a combo hotel & museum package for this back in May and backed out at the last minute because we didn't have quite enough time to spend there. It must have been fantastic, even though there were just a few cars. But WHAT CARS!!! Every one a work of art! If you are a car lover, I have quite a few shots of classics posted that I just took at the Lime Rock Vintage Festival. If you are interested in visiting my portfolio.
Andre

  0


Mark Longo Mark Longo   {K:12760} 10/12/2005
Well, I was lucky to get this shot, you're right! This and other car shots posted here were shot at a museum exhibit of Ralph Lauren's car collection, which is VERY extensive. The lighting in the exhibit was not really as high as you would want, but it was quite colorless using a large number of halogen spots throughout the exhibit. Shadows weren't generally a problem, and I went at a time when the crowds were small, which made reflections less of a problem. There are a lot of spotlight reflections in many of my shots, though those provide highlights and show the contours of the cars a bit, so I left them in.

As to the backdrop on this shot, I used photoshop to create most of it. The exhibit walls were a very light gray with some ugly corners, edges, and bad shadows. They could have done a much better job lighting the walls, but as museum exihbit builders, rather than photo studio types, they must have figured that lighting the autos was the thing and who cares about the background. I did a similar treatment on the McLaren shot here as well.

I have a bunch more from that exhibit but what I've posted is probably the best of it. I may do a few more if I get the time and patience to do the post processing I like for these. I have kept my eyes open for more auto show opportunities though as I enjoyed the shooting. I very much admire the fine work you do with autos. It's inspiring, thanks.

Mark

  0


Jim Greenfield Jim Greenfield   {K:5172} 10/12/2005
you are so lucky to have access to the studio as well as the car! I would love to do some portrait work in the all white environment. Very cool!

  0


Tad Cholinski   {K:179} 10/4/2005
interesting crop, great shot... well done
best regards
Tad

  0


David Bulli   {K:641} 9/12/2005
Very special shot Mark...perfect perspective...

  0


!2#4%6 !2#4%6   {K:98} 9/10/2005
The BEST

  0


Huw Ge   {K:1033} 9/10/2005
My dad's dream car, will have to send hin a link to this great shot

  0


N.R. Miller N.R. Miller   {K:946} 9/6/2005
Great car and excellent image Mark! Shooting all that shiny chrome and metal is no easy task. Well done!

  0


ricardo longhi-frantz   {K:9628} 8/9/2005
wow! this is a splendid capture! great angle and amazing details! lovely work!

  0


Hussam Abdul Nour Hussam Abdul Nour   {K:3799} 8/9/2005
wow lovely shot
very well done ..

  0


Luis Eduardo Araujo Luis Eduardo Araujo   {K:1112} 8/9/2005
I Like this. But to photographe a reflexive subject, you needd to take carefull for you dont apear on the photo

  0


Pankaj Arora   {K:3752} 7/28/2005
quirky angle..makes it look funny..very well seen

Thanx for your comments on my pg

  0


Mark Longo Mark Longo   {K:12760} 7/23/2005
Mila mentions the softness of the lines. I softened the original image a bit in Photoshop by creating a 'lighten' layer and blurring it quite a bit using the Gaussian blur and then erasing the lighten layer where I wanted fine detail to show through. It is a subtle effect but powerful in creating a sort of glow to the highlights. The effect is most readily noticed around the front bumper, but the effect is present in all the major highlights.

  0


Mila Croft   {K:6038} 7/23/2005
Bellissimo il punto di ripresa e la luce diffusa che evidenzia le linee morbide di questa splendida automobile

  0


Toshi  Toshi    {K:11924} 7/23/2005
Ahh, the 300SL. Very nice car - and you've captured it well. Good low angle showing off the curves of the car. Well done!

  0


matthew morgan   {K:1539} 7/23/2005
good capture very well seen

  0


  1

 

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