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Critique By:
Debashis Nag (K:501)
7/18/2007 9:48:30 PM
Clever angle. I would have made the shot more grainy.
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| Photo By: Bhabesh Chakrabarti
(K:11394)
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Critique By:
Debashis Nag (K:501)
7/18/2007 9:46:17 PM
I love the visual transformation ... rolling country to apparent industrial ... with the model throwing friendly into the darker side. Good balance and emotion. Another shot of the model with a serious look would have changed the pictures stance completely.
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| Photo By: Ede *
(K:395)
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Critique By:
Debashis Nag (K:501)
3/21/2007 2:17:39 PM
Love the emotion in the animal.
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Photo By: Maja Š
(K:17951)
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Critique By:
Debashis Nag (K:501)
12/8/2006 8:37:55 PM
You have a brilliant eye for unusual perception
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| Photo By: Marian Man
(K:80636)
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Critique By:
Debashis Nag (K:501)
12/8/2006 8:36:55 PM
Simply amazing ... the shadows and the greys of the sky. I love how the colors of the lighthouse stand out past all the rest of the landscape
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| Photo By: Nuno Milheiro
(K:453)
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Critique By:
Debashis Nag (K:501)
11/16/2006 4:50:20 AM
Great shot
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| Photo By: Chandra Mondal
(K:45)
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Critique By:
Debashis Nag (K:501)
10/17/2006 6:23:49 PM
Prasanta, I am somewhat drawn to your picture. It appears flat, but with hidden angles as the boat is tilted and the oars are drawn off at opposing angles.
I took the liberty of changing the picture to see it from a different perspective. I lost the clarity but gained a moodiness I think your picture had the potential to create.
Great work from my fellow Bengali.
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| Photo By: Prasanta Das
(K:54)
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Critique By:
Debashis Nag (K:501)
5/24/2006 8:24:19 PM
I like what you did with the sky
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| Photo By: Rene Driscoll
(K:-85)
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Critique By:
Debashis Nag (K:501)
10/31/2005 6:38:16 PM
Actually, I extracted the man sitting down and applyed a -100 Saturation filter to the rest of the picture to create a black and white image. I did not change the color of the man or his bigs. See the original picture.
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| Photo By: Debashis Nag
(K:501)
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Critique By:
Debashis Nag (K:501)
10/9/2005 10:16:37 AM
Very cool, amazing expression
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| Photo By: James Bennett
(K:3)
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Critique By:
Debashis Nag (K:501)
10/5/2005 9:57:37 PM
This has to be the most peculiar image title I have ever read. I like how you captured the moment.
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| Photo By: Paul Paul
(K:5362)
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Critique By:
Debashis Nag (K:501)
10/5/2005 8:02:17 PM
You have a unique eye for the world, love this shot
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| Photo By: Mary Vareli
(K:15826)
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Critique By:
Debashis Nag (K:501)
10/5/2005 8:00:02 PM
Very cool work
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| Photo By: Nicole Marcisz
(K:10268)
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Critique By:
Debashis Nag (K:501)
10/5/2005 7:50:28 PM
Wow this is so amazing
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| Photo By: Nicole Marcisz
(K:10268)
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Critique By:
Debashis Nag (K:501)
10/5/2005 7:27:47 PM
The Canyonlands is my favorite national park. Wonderful picture, Nicole.
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| Photo By: Nicole Marcisz
(K:10268)
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Critique By:
Debashis Nag (K:501)
10/5/2005 7:17:08 PM
Simply amazing
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| Photo By: Tjaart van Staden
(K:979)
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Critique By:
Debashis Nag (K:501)
7/18/2005 5:05:48 PM
I'm sure you have a steady hand considering all the hot girls you photograph. Let me know when you're taking on an understudy !!!!
Do you have an open gallery? I will be in your area this week.
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| Photo By: ppdix
(K:17069)
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Critique By:
Debashis Nag (K:501)
7/18/2005 3:47:32 PM
This was really good. Did you really use a 1/15 shutter? It seems too slow a shutter to use on closeups. Amazing expression
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| Photo By: ppdix
(K:17069)
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Critique By:
Debashis Nag (K:501)
7/18/2005 3:42:19 PM
I see the perspective you were trying to show. What I was trying to do was follow the skateboarder's shadow. By contrast, in the right frame of the picture there are people who are looking at an upwards angle. Rather than make it seem like they have tilted their head too far upwards, I found a common ground between them and used this angle.
Or I could just tell you I was in a pizza parlor having the best slice of my life in one hand with a camera in the other.
You pick which explanation you like best. Thanks for the feedback.
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| Photo By: Debashis Nag
(K:501)
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Critique By:
Debashis Nag (K:501)
7/12/2005 8:41:14 PM
Nice blend of colors
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| Photo By: Joggie van Staden
(K:41700)
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Critique By:
Debashis Nag (K:501)
7/11/2005 2:45:21 PM
You sure do love tight pants
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| Photo By: Lucas L
(K:12145)
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Critique By:
Debashis Nag (K:501)
7/11/2005 2:44:43 PM
Nice as always
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| Photo By: Lucas L
(K:12145)
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Critique By:
Debashis Nag (K:501)
7/11/2005 2:44:06 PM
Let me know when you're looking to bring on an understudy.
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| Photo By: ppdix
(K:17069)
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Critique By:
Debashis Nag (K:501)
7/11/2005 2:43:23 PM
Thanks for the comments. This place feels ominous, hence it looks that way. I simply photographed it from the angle to bring it out that way, then kept the sky out of the image to make the building itself provide all of it's gloom.
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| Photo By: Debashis Nag
(K:501)
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Critique By:
Debashis Nag (K:501)
7/11/2005 2:42:04 PM
I dont think the hurricane hit New Orleans
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| Photo By: Debashis Nag
(K:501)
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Critique By:
Debashis Nag (K:501)
7/11/2005 2:41:23 PM
Thanks, Ian and Dan, for your comments. I'm glad you saw into what I was trying to portray. I would not have posted this one if it was just the flowers. I feel that the woman in the background added the angular interest to the picture. It is because she is looking outside of the scope of this photo that makes it mysterious.
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| Photo By: Debashis Nag
(K:501)
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Critique By:
Debashis Nag (K:501)
6/29/2005 11:52:27 PM
Very well done. I like the grain you bring to the otherwise soft, yet angled, background.
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| Photo By: Daniel Force
(K:34)
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Critique By:
Debashis Nag (K:501)
6/29/2005 3:23:21 PM
Great picture
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| Photo By: Ivan Mřllebjerg
(K:6079)
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Critique By:
Debashis Nag (K:501)
6/29/2005 3:22:52 PM
Very good angle, use of light and shadow. Could you tell us how you modified the picture? I would love to see the before to see how you got this great vision
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| Photo By: Dorothy Di Liddo
(K:13787)
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Critique By:
Debashis Nag (K:501)
6/29/2005 3:20:09 PM
Amazing shadows, great contrast. It is very hard to do a black and white shot that doesn't make the focal point different shades of grey. You were able to isolate almost all of it to the polar extremes.
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| Photo By: Géza Galán
(K:47)
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