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Critique By:
Doctor Dark (K:164)
11/8/2003 4:35:16 PM
So which one is going to make the first move?
I going with the guy on the right, as soon as he is finished
with his smoke. The guy in the center is going on the bottom,
the whip and leathers are in the case on the left. Hope Gini
is there with her camera.
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| Photo By: Gini Kosztika
(K:356)
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Critique By:
Doctor Dark (K:164)
11/7/2003 6:21:27 PM
Ah, I see you got that shot I asked for of my patient's after their operations.
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| Photo By: Gini Kosztika
(K:356)
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Critique By:
Doctor Dark (K:164)
11/2/2003 1:20:38 PM
"Why not put them together ?"
Why put them together is my question.
You have a nice image of Stonehenge that you have totally
destroyed with the god awful sunset.
You have beautiful soft light on the stones coming from
one sun and a garish sky in the background from another sun,
what planet is this on?
I would love to see this image without the Walt Disney sky.
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| Photo By: Michael Busselle
(K:221)
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Critique By:
Doctor Dark (K:164)
10/31/2003 4:22:10 PM
works for me.
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| Photo By: sandy c. hopkins
(K:17107)
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Critique By:
Doctor Dark (K:164)
10/31/2003 8:33:52 AM
Nice graphic shot, I do like the angle you used. Good job.
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| Photo By: Gustavo R Costa
(K:1833)
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Critique By:
Doctor Dark (K:164)
10/30/2003 2:34:20 PM
Great framing. The placementst of the angles work well here .Nice tone.
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| Photo By: sander mijnster
(K:45)
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Critique By:
Doctor Dark (K:164)
10/29/2003 11:08:03 PM
In art school this was know as a "gooey sunset", it might get a c if the Professor
was in a good mood.
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| Photo By: Kaj Nielsen
(K:15279)
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Critique By:
Doctor Dark (K:164)
10/29/2003 5:28:24 PM
Excellent work.
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| Photo By: jo pez
(K:2958)
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Critique By:
Doctor Dark (K:164)
10/29/2003 4:32:42 PM
yo! I can smell it here in San Francisco, the boy cut the rope and is running for his life!
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| Photo By: Gini Kosztika
(K:356)
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Critique By:
Doctor Dark (K:164)
10/29/2003 1:03:02 PM
Good control of Photoshop.
I would have made one side a little different
so as to really make people wonder how it
was done.
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| Photo By: Toini Blom
(K:2039)
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Critique By:
Doctor Dark (K:164)
10/29/2003 12:01:11 PM
Great shot, nice framing.
One place I don't want to be is under seagulls. LOL
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| Photo By: Ayse Telci
(K:4168)
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Critique By:
Doctor Dark (K:164)
10/28/2003 10:50:59 PM
Now this is nice. Love the smooth tones with just a nice little highlight poping out.
Great work.
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| Photo By: james mckenna
(K:6535)
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Critique By:
Doctor Dark (K:164)
10/28/2003 10:48:01 PM
This one doesn't work as well as the others. There too many problems with the tones.
They same to jump all the place. The lighting seems to need some fine tuning.
Her left shoulder needs a little detail, not a lot but some. Smooth out the harshness
is what I'm getting at. I assumed you wanted a real critique and not a "great shot, see mine"
LOL
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| Photo By: james mckenna
(K:6535)
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Critique By:
Doctor Dark (K:164)
10/28/2003 10:41:24 PM
Nice shot James. The wisk of hair sets it off nicely.
Lets see digital get those lovely tones in grayscale, yea right. LOL
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| Photo By: james mckenna
(K:6535)
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Critique By:
Doctor Dark (K:164)
10/28/2003 10:35:17 PM
Nice idea. Don't those digital type cameras have auto focus?
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| Photo By: Michael Alexander
(K:5293)
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Critique By:
Doctor Dark (K:164)
10/28/2003 7:52:22 PM
To be honest I'm not much of a flower shot kind of guy, but this image really caught my eye.
The vibrations that are created when you place red and green next to each other is what brings
this image to a higher level. The red next to green trick and been used by painters for years, but
you don't see many photographers use it. Very nice work.
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| Photo By: Emgy Massidda
(K:60358)
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Critique By:
Doctor Dark (K:164)
10/28/2003 7:47:47 PM
The legs make what is somewhat of a routine shadow shot a nice image.
Good seeing.
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| Photo By: paul shelasky
(K:1211)
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Critique By:
Doctor Dark (K:164)
10/28/2003 7:45:41 PM
Nice fun sefl picture, great idea.
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| Photo By: ati metwaly
(K:1378)
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Critique By:
Doctor Dark (K:164)
10/28/2003 7:35:12 PM
The question is: did the window stare back?
Nice idea and image.
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| Photo By: Brian Bednarek
(K:1656)
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