Photograph By Douglas Ritchie
Douglas R.
Photograph By Ayan Mukherjee
Ayan M.
Photograph By David Rodriguez
David R.
Photograph By C.A.  Mikulice
C.A.  M.
Photograph By Ann  Van Breemen
Ann  .
Photograph By Darryl  Barclay
Darryl  B.
Photograph By Nigel Watts.
Nigel W.
Photograph By Jan Symank
Jan S.
 
imageopolis Home Sign Up Now! | Log In | Help  

Your photo sharing community!

Your Photo Art Is Not Just A Fleeting Moment In Social Media
imageopolis is dedicated to the art and craft of photography!

Upload
your photos.  Award recipients are chosen daily.


Editors Choice Award  Staff Choice Award  Featured Photo Award   Featured Critique Award  Featured Donor Award  Best in Project Award  Featured Photographer Award  Photojournalism Award

Imageopolis Photo Gallery Store
Click above to buy imageopolis
art for your home or office
.
 
  Find a Photographer. Enter name here.
    
Share On
Follow Us on facebook 

 

Un-Filtered Critiques
 Most Recent
 Critique Only
 Featured

By Category
By Project

 Find Member
Name
User ID



Critiques To 


<    1  2  3  4  5    >


Critique By: Katrin Aasa  (K:740)  
10/20/2003 9:48:44 AM

Do I see some shadow on the horizon?Clouds?It's beautiful.
        Photo By: Donald McKay  (K:340)

Critique By: xy x  (K:41915)  
10/18/2003 2:10:17 PM

great perspective and view, well done
        Photo By: Donald McKay  (K:340)

Critique By: Daniel Navarro  (K:40)  
10/16/2003 2:40:21 AM

I like this emptiness.
        Photo By: Donald McKay  (K:340)

Critique By: Katrin Aasa  (K:740)  
10/15/2003 2:46:15 AM

Yess!I know.Jonathan Raban and BAD LAND.I read this book some months ago.Your photos....Exactly!I's this book on your photos. Am I very wrong?I begin to SEE these photos.
        Photo By: Donald McKay  (K:340)

Critique By: Sean Armenta  (K:242)  
10/12/2003 11:04:38 AM

i find the patch of grass on the bottom left a bit distracting...perhaps a tighter crop?
        Photo By: Donald McKay  (K:340)

Critique By: Katrin Aasa  (K:740)  
10/12/2003 9:50:58 AM

You are happy - you like what YOU like.It's not easy to understand why these photos and what do you want to say(sorry...).Without plastic bottle - like movie.Soft and some kind of velvet touch...Looks like they don't have busy...In our days?Lifestyle or life itself?
        Photo By: Donald McKay  (K:340)

Critique By: Jayr Luciano jr  (K:115)  
10/5/2003 10:58:59 PM

beautiful B&W...congratulations
        Photo By: Donald McKay  (K:340)

Critique By: Donald McKay  (K:340)  
10/5/2003 7:32:02 PM

I'm putting the essay onto this site, a few images at a time. The entire span of the photographs is from 1993 to 2003, and right now, unless you find one of the readings of the text in progress, you will only find the images here. I'll be travelling through the late fall in Colorado, Wyoming and Nebraska to fill out the material, and close down the research.
        Photo By: Donald McKay  (K:340)

Critique By: Donald McKay  (K:340)  
10/5/2003 7:25:46 PM

In 1866, with the Union Pacific foundering financially, Oliver Ames assumed the presidency of the Railroad while Oakes Ames became the president of Credit Mobilier. As the Encyclopedia of American Business History delicately puts it:
"The Union Pacific formed a separately incorporated construction company to finance and build the line. In addition to the limited liability a corporation offered investors, the construction company offered near-term profits on a project that was risky and unprofitable except in its long-term prospects."
To put it a more baldly, one enterprise ? the construction company ? profited wildly from its monopoly, taking those profits from another company ? the railroad ? which, if it was to profit at all, must have huge grants of land along the line to sell in the future, for town sites and agricultural settlement. With the cooperation of the Federal government that is what happened, always moved along by the reputation of the Ames brothers as men of substance and helped not a little by Oakes? dual positions: president of the construction company, and representative of the State of Massachusetts in the U.S. House of Representatives. In 1872, using copies of of Oakes? own correspondence, the New York Sun connected the dots and closed the circle of corruption: Oakes Ames had been selling shares of Credit Mobilier ? made extremely profitable by commissions from his brother?s railroad ? to fellow representatives in Congress, and a senator or two; in exchange the representatives supported vast grants of land, and the treasury bond loans necessary to keep the Union Pacific solvent. The value of the stock involved was small, and the railroad clearly profited the Federal Government (not least because frontier defense was now practical) but that did not matter to the combined chorus of journalists and politicians nearly as much as the evidence of collusion: the outcry was immediate. Over the course of two Congressional investigations, Oakes Ames was censured by Congress. Only days after his final fall from honour, in a narrative that would make shame fatal and pathetic fallacy a factor in government and fraud, Oakes Ames died, in disgrace.
        Photo By: Donald McKay  (K:340)

Critique By: Katrin Aasa  (K:740)  
10/4/2003 8:18:26 AM

Interesting monument.Good composition.High place?I'd increase contrast a little.Who is ames?(people with black hats and white shirts?)
        Photo By: Donald McKay  (K:340)

Critique By: João Magalhães  (K:2067)  
10/3/2003 3:09:17 AM

There'se some less pleasant fuzziness. The excessive contrast (or unpleasant tonal range) I tend to associate to TMY is also present. Nice composition and mood, though.
        Photo By: Donald McKay  (K:340)

Critique By: Girish Menon  (K:1384)  
10/2/2003 10:02:13 PM

;a blast from the past! cheers and beers!
        Photo By: Donald McKay  (K:340)

Critique By: Richard Thornton  (K:26442)  
10/2/2003 2:33:18 PM

Good motion blurring (probably what the rider felt). I can't help thinking the image would be stronger cropped as a square or even vertical, eliminating the distracting rider on the right.
        Photo By: Donald McKay  (K:340)

Critique By: Nikki-ann   (K:535)  
10/2/2003 2:05:21 PM

I can just imagine some tumbleweed rolling past... Black & white suits it.
        Photo By: Donald McKay  (K:340)

Critique By: Kaj Nielsen  (K:15279)  
10/2/2003 9:38:08 AM

Excellent compoced foto, great perspective, excellent light and contrast. Regards Kaj Nielsen
        Photo By: Donald McKay  (K:340)

Critique By: JL E  (K:9693)  
10/2/2003 7:26:13 AM

exclellent perspective and contrast between black and white.
perfect DOF.
good work.
Cheers
        Photo By: Donald McKay  (K:340)

Critique By: kita mcintosh  (K:18594)  
10/2/2003 4:28:21 AM

1998 or 1850? great shot
        Photo By: Donald McKay  (K:340)

Critique By: Katia Cutrone  (K:12940)  
10/2/2003 4:27:56 AM

Like in a farwest movie...
it's a shame the pic is so dark.
        Photo By: Donald McKay  (K:340)

Critique By: Mário Sousa  (K:16985)  
10/2/2003 4:14:24 AM

fine photo
        Photo By: Donald McKay  (K:340)

Critique By: Patrick McGregor  (K:52)  
10/1/2003 4:29:58 PM

fab. just fab !!!
        Photo By: Donald McKay  (K:340)

Critique By: Teunis Haveman  (K:37426)  
10/1/2003 2:06:56 PM

Nice landscape, but crop the bottum
Teunis
        Photo By: Donald McKay  (K:340)

Critique By: Donna Devine  (K:2885)  
10/1/2003 1:59:03 PM

Great shot. Poignant, somehow. Lovely details and sky.
Suggestion: Crop a bit from the bottom of the picture.
        Photo By: Donald McKay  (K:340)

Critique By: George Marks  (K:15437)  
10/1/2003 1:58:54 PM

Where can I view the essay in its entirety, and what is the theme for the essay (beyond the title)?
        Photo By: Donald McKay  (K:340)

Critique By: Andrew Lopez-Calvete  (K:2441)  
10/1/2003 11:39:44 AM

There you go, told you so! Thanks Mario
        Photo By: Donald McKay  (K:340)

Critique By: JL E  (K:9693)  
10/1/2003 8:42:47 AM

perfect movement! as a paint
cheers
        Photo By: Donald McKay  (K:340)

Critique By: Marcel Laurens  (K:3654)  
10/1/2003 7:32:29 AM

excellent feeling of motion and tension!!!
        Photo By: Donald McKay  (K:340)

Critique By: Mário Sousa  (K:16985)  
9/30/2003 3:53:00 PM

nice photo
        Photo By: Donald McKay  (K:340)

Critique By: Andrew Lopez-Calvete  (K:2441)  
9/30/2003 3:45:37 PM

I really want this shot to be in colour. It looks like something that Meyerowitz or Christenberry would have shot and I'm desperate to see the remains of brightly coloured paint on the decaying pump heads, set against an otherwise neutral backround. Saying that, this is under architecture and the focus seems to be pulled back to the rather dull structure in the background. You mention that its part of an essay, maybe in context this image would read better but otherwise I think it lacks something and comes across as a little flat. Also I think it would be preferential to square up to the central blok a little more as the slightly off centre position conspires to make the frame look crooked (which its not).

Sorry to be negative, but the key words are "I think" I'm sure my voice will be drowned out by countless 'cool pic' comments. Feel free to rip my work to bits as I've posted some real stinkers!!!!
        Photo By: Donald McKay  (K:340)

Critique By: Katrin Aasa  (K:740)  
9/30/2003 4:53:16 AM

It's very beautiful and interesting view.That's right - some contrast is needed to make trees more powerful.
        Photo By: Donald McKay  (K:340)

Critique By: Evangelos Koutsavdis  (K:379)  
9/29/2003 6:57:48 PM

I think this is a good photo, however I could suggest the following: increase contrast, eliminate the empty space on the right and/or focus on the roots; with increased contrast they would have made a good subject.
        Photo By: Donald McKay  (K:340)


<    1  2  3  4  5    >


|  FAQ  |  Terms of Service  |  Donate  |  Site Map  |  Contact Us  |  Advertise  |

Copyright ©2013 Absolute Internet, Inc - All Rights Reserved

Elapsed Time:: 0.328125