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Critique By:
Terry King (K:163)
12/3/2002 12:07:29 PM
Lori, a negative I looked at after uploading this one was better. Will upload it tomorrow. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
11/21/2002 2:42:42 AM
Adam, the shot was solarized. The "noise" in the foreground is movement in tall grass by the wind. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
11/17/2002 2:55:46 AM
Forgot to add picture!
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
11/17/2002 2:52:44 AM
I have done some cropping andd lightening of this photo and would like to have your thoughts on the two compositions. Thanks, Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
11/5/2002 4:48:35 AM
Just an experiment. You won't hurt my feelings. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/27/2002 1:31:42 AM
The camera angle, asymmetric elements and proximity of clouds contribute to the composition. The feelings of flight and freedom defy analysis.
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| Photo By: Jane Nuse
(K:70)
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Critique By:
Terry King (K:163)
10/22/2002 5:17:52 AM
Chris, the halo is in the negative. I no longer have this in my photoshop files. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/21/2002 7:13:53 AM
Russ, I misread your message. The white lines are a result of using the solarizing tool in PS. The strange
semicircular halo in the sky is what I can't explain. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/21/2002 6:59:22 AM
Russ, I have no idea why the halo is there. I've taken several shots with the sky but none of the others show the same effect.
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/21/2002 3:59:32 AM
Arreymbuo, nice option. I guess I was trying to emphasize the lighting in the sky when I printed but your version shows much more detail without losing much impact in the sky. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/10/2002 3:27:43 AM
Dallas this is a remarkable photograph. I can view it two ways. One way integrating the past with the present the two individuals were apart but are swept into the embrace. I can also see them in the present anticipating the future as they stand apart looking toward the embrace. Terry King
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| Photo By: Dallas Simpson
(K:269)
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Critique By:
Terry King (K:163)
10/8/2002 9:39:26 AM
Orginal photo. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/8/2002 9:37:17 AM
Autumn, your right. I wasn't planning to solarize but this gave an interesting result. See original shot.
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/8/2002 2:55:46 AM
Love the ethereal quality of this. Is there a barn or am I imagining it? What is a Lomo camera?
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| Photo By: Jane Nuse
(K:70)
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Critique By:
Terry King (K:163)
10/5/2002 1:53:53 AM
When someone's mind is engaged in chosing between two options, visual perception is usually reduced. Neither are our memories of visual experiences crystal clear.
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
10/2/2002 2:17:15 AM
It is a moufon sheep but the second horn is behind the skull. You can see the tip by the nose. The pinhole camera has a 50mm focal length which is wide angle for a 4x5 hence the distortion. Terry
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| Photo By: Terry King
(K:163)
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Critique By:
Terry King (K:163)
9/24/2002 1:53:10 AM
I really like this picture. Every child has their secret hiding place to look out on the world. At first I thought the object? seen through the trees as distracting but then I began to wonder what it was and the relationship with the child. Good exposure and composition.
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| Photo By: Jane Nuse
(K:70)
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