Rensktje Krol born * 23-11-1907 Married to Abel Smilda Abel Smilda and Rensktje Krol are the parents of my mum Feikje Smilda Date: 16 november 1929 Photo by: Foto Steenmeijer Zwanestraat 47 Groningen For documentary reasons I left all spots on the photo as original .
Location of the photo-studio is in the city of Groningen It was in this street you are looking into.
The photo-studio was on the left side where now is a yellow painted building with a blue sunscreen carrying the name Style Company. It is the place where this photo was made.
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About , continued: Note: more and more I get a feeling that these images were made and used as a kind of business card. You would go to the photo studio in your best outfit, have the image made and share prints of you with friends and potential employers, to promote yourself and solicit/apply for a job.
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Comment by: Jim Loy
Let a history teacher enlighten you.... Early on, in photography, the glass plate negative and even the eary film, was v-eee--rrr---yyy Ssssssllllooooowwwwww to take an image. A person had to sit VERY still for (sometimes a full minute or two) a long time. A smile would look really strange if the person had to hold it for a long time. So a plain, natural face was mandatory... because of the equipment. As the equipment got better, people would smile and look natural..... and then, at THAT moment, the forced smile entered the photographic world. At first it was the equipment... then it was false. Lesson over.
Thanks Jim ! AA for you.
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There is another reason for these youn men and women not to smile. I saw emotions as anger, desinterest, uncertainty.
Typical for the first 2 or 3 decades in the 20th century are poor families with a large number of children. It was before the era of industialisation.
As soon as children finished elementary school, they were sent off to work, starting at the age of 12-14 years. Every penny, cent, guilder was welcome in the parential family to provide food and clothing for all of them.
Employment was available at landowners and farmers. A large farm would provide work for several maids and young men.
Life was as hard as the mentality of the employer. In worst case they would have to work theirs *sses of, they were fed with leftovers and crumbs, had a seat in a cold unheated kitchen in the evening and sleep in the stable or in special rooms for the girls and young ladies.
Work was 6 days a week, only one week off (holiday) in a year and the contract would last from may till may next year. If the landlord did not like the attitude of the worker, or the girls would not respond to abuse as e.g. sexual intimidation by the landowners son, the employee was fired in a second.
Servants in aristocracy or city upper class usually got better treatment, some even had diner with the employers family.
Starting 1930's industry provided work for the young ladies and mechanisation took over the work at the farm.
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Resources provided by Iris TouchingLove
-Familieportret. "Huishouden van Oom Jan van Esch". Esch, 1870.
-Vrouwelijk huishoudelijk personeel in Nederland. Bron: wikipedia.org
-‘Dienstboden’ uit het befaamde en meest verkochte boek over de etiquette ‘Hoe hoort het eigenlijk’ uit 1939 van Amy Groskamp-Ten Have.
Ik heb even deze foto op mijn disk en op UF vergeleken en ik zie dat de broeksrand van Wiebe een witte nastreep heeft, zou idd sharpening kunnen zijn in UF .................
Ben je een digitaal familie album aan het maken Harry ? Het lijkt me een monnikenwerk. Je kunt het uitbreiden met de huidige locaties zoals je al doet, maar je kunt ook heel wat achterhalen van bv. stoel en kleding. Er zijn geen grenzen an historisch onderzoek, vr. groet, Paul Even een technische vraag. Ik heb vaak witte 1 pixel brede strepen in mijn uploads wanneer ik een frame om de foto heb zitten en ik denk dat het een combinatie van even/oneven pixels is en een verkeerde afronding in PhotoFiltre. Ook verdenk ik de UF upload met sharpening optie. Ik gebruik nu NONE om het te voorkomen. Wat is jouw ervaring hiermee ?
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